Ain't Burned All the Bright (Hardcover)
Jason Reynolds and his best bud, Jason Griffin had a mind-meld. And they decided to tackle it, in one fell swoop, in about ten sentences, and 300 pages of art, this piece, this contemplation-manifesto-fierce-vulnerable-gorgeous-terrifying-WhatIsWrongWithHumans-hope-filled-hopeful-searing-Eye-Poppingly-Illustrated-tender-heartbreaking-how-The-HECK-did-They-Come-UP-with-This project about oxygen. And all of the symbolism attached to that word, especially NOW.
And so for anyone who didn’t really know what it means to not be able to breathe, REALLY breathe, for generations, now you know. And those who already do, you’ll be nodding yep yep, that is exactly how it is.
Jason Griffin created the artwork for My Name Is Jason. Mine Too, written by Jason Reynolds. He’s an artist and master collaborator, who has shown his art in major cities all over the world. his most recent projects include a commissioned mural for the children’s cancer wing at Montefiore Hospital in the Bronx, as well as a residency at the new contemporary art museum in Amsterdam, Het HEM. He currently creates in Queens, New York.
Reynolds’ poetry and Griffin’s art perform a captivating dance on pages of mixed-media collage and emotive reflection on the pronounced threats facing a contemporary Black family. In “Breath One,” the opening of the verse narrative, the unnamed boy protagonist struggles with the onslaught of TV news coverage of the systemic violence and death experienced by Black people—coverage that is both overwhelming and insufficient. The television then forms the backdrop of the narrator’s concerns for his bedridden father, who is struggling with an acute respiratory illness while isolated in a bedroom. The art is sometimes spare and monochrome before shifting to a bright and striking palette as Griffin deploys aesthetics that enliven the rich flow and rhythm of Reynolds’ words. The two skillfully go back and forth like rap duos of old, each with a distinct voice that enriches the other. The result is an effective critique of the ways we’ve failed as a society to care for one another. By “Breath Three,” however, a complicated optimism shines through for a family that perseveres through closeness and connection despite what is broadcast from their TV. While grounded in 2020, many of the issues touched on explicitly are very much not over and not even new, making this remarkable work both timely and timeless.
Artful, cathartic, and most needed.
— Kirkus Review STARRED REVIEW
Reynolds and Griffin’s searing indictment of the status quo is expressed in the voice of a young, unnamed Black man, whose timely comments resonate beyond the personal to the universal.[…] Reynolds’ text—printed on strips of white paper affixed to notebook pages—comments on a seemingly changeless world on fire, on protests in the wake of George Floyd’s murder, and on the seeming omnipresence of COVID-19—all of which reflect a world without the freedom to breathe. It’s a bleak picture but not one without hope of change. Griffin’s remarkable mixed-media collage pictures that employ a palette largely of black and red are a perfect complement to the text, capturing its tone and style exactly while expanding and enhancing the words of the poetic text. The result is an important combination that expresses the zeitgeist of a troubled time. It’s essential reading.
— Booklist *STARRED*
Author Reynolds and artist Griffin, friends and previous collaborators (My Name Is Jason. Mine Too.), explore recent events in America through a poetic multimedia partnership told in three “breaths.” […] As Reynolds’s lines depict Black people facing police brutality, Covid-19, and general concerns regarding safety, Griffin’s captivating collages literally and metaphorically capture a constant state of worry and panic, leading to visual moments that encourage the reader to find solace and inspiration in the everyday.
— Publishers Weekly STARRED REVIEW